Juggling my Balance

We hear about it all the time. We should have balance between work and play, business and pleasure, etc. Looking at my own life lately it’s not so much an issue of balance as it is juggling.

The balance has several dictionary definitions.

bal·ance

baləns/

noun

noun: balance; plural noun: balances

  1.  

an even distribution of weight enabling someone or something to remain upright and steady.

“slipping in the mud but keeping their balance

  1.  

a condition in which different elements are equal or in the correct proportions.

“overseas investments can add balance to an investment portfolio”

  1.  

an apparatus for weighing, especially one with a central pivot, beam, and a pair of scales.

  1.  

a counteracting weight or force.

  1.  

a predominating weight or amount; the majority.

the balance of opinion was that work was more important than leisure”

 

  1.  

a figure representing the difference between credits and debits in an account; the amount of money held in an account.

“he accumulated a healthy balance with the savings bank”

verb

verb: balance; 3rd person present: balances; past tense: balanced; past participle: balanced; gerund or present participle: balancing

  1.  

keep or put (something) in a steady position so that it does not fall.

“a mug that she balanced on her knee”

  1.  

offset or compare the value of (one thing) with another.

“the cost of obtaining such information needs to be balanced against its benefits”

So, the definition I believe fits best is under the verb #2 definition

“offset or compare the value of (one thing) with another.”

This is much more descriptive of what I do. Look at deadlines. Sleep, adulting, spend time with my partner, activities solely for my pleasure. All of these must be weighed in what can I trade off for now versus what can I do later.

Really, it all comes down to scheduling proactively, think ahead and rearranging to meet all these pieces you need to make your life work.

Isn’t that juggling?

verb

gerund or present participle: juggling

 

  1. continuously toss into the air and catch (a number of objects) so as to keep at least one in the air while handling the others, typically for the entertainment of others.
    • cope with by adroitly balancing.

“she works full time, juggling her career with raising children”

  • organize (information or figures) in order to give a particular impression.

 

“defense chiefs juggled the figures on bomb tests”

So many pieces here seem to fit. All of these plates in the air at once. And ol’ Murphy always comes along to throw another plate, pin, or maybe a chainsaw into the mix.

Whatever Murphy tosses at me I try to stay calm with it. Getting upset or angry at unforeseen circumstance I always thought was a waste of energy. No the other piece of juggling my balance is adapting. Take time to prioritize the items on my to-do list. Do my best to make a plan. Try to follow the plan and wait to see what survives of it once the day begins.

Now if I just didn’t have to sleep…

Thank you for reading,

Ernest

 

 

Researching stories

Learning is a pleasure of mine, and researching stories is a portion of the fun writing them. So many things to learn and you know the hardest part for me? Knowing when I should stop. Researching is often a rabbit hole and forms a part of the problem for me of procrastination.

Research is an important part of writing but remember time spent researching is not time spent writing. Right now I am working on a weird jazz story. The story must have jazz at its core but an element of the weird or supernatural.

It is always good for research to be focused. Knowing Who, What, Where and Why of your story is a good start. But expanding on those ideas is important and to do that you have to know what pieces you need to research in order to expand your initial ideas into a story.

Several of my stories have had essential elements based in history or real locations. Ned Land vs. The Kraken Cult had a lot of research into the whaling industry and culture of whaling in the 19th century.  A burst of inspiration added a character midway suddenly needing research into children’s attire and customs. The Australian Gold rush was a topic in Birds of a Feather.

And because research can be fun, after this is not a term paper, one piece of information or topic always leads to another, and another and the rabbit hole of the internet can be bottomless.

  1. Common wisdom is performing your research first.
    1. I certainly perform a good deal of preliminary research but by no means all of it. Mainly because I cannot anticipate everything I may run into as I write, perhaps as I gain experience this will change. For now though, if I run into a question I sop and research it.
  2. Prioritize your research.
    1. You have the idea, but is it plausible? What do you need to get started? This is the overview research I begin with, my concept. For a recently completed historical fiction, Winter Tales, the concept is about the first journey of a Viking Merchant. There are plenty of stories about Viking raiders and plunderers but they were also merchants. I used archeology articles and historical documents. It was easy to confirm the concept.
  3. Visit the library.
    1. There is a lot of information there. It can do you some good to get out from behind your computer. I have found it is often easier to focus on one research topic doing this too.
  4. The internet these days puts almost anything within reach of a creative search.
    1. It is also my favorite rabbit hole. Since I have a hard time knowing when to stop I will often set an alarm. It usually works. A time limit helps me focus on the needed research and provides me a stopping point. Do I always listen? Well, not always.

Right now, as mentioned I’m writing a weird jazz short story. The research need I have now? How a jazz playing mystical guardian deals with physical threats. As the old D&D saying goes, the answer to any magic user is cold steel. But what about fangs?

Thanks for reading,

Ernest

 

Thank you for following When My Worlds Collide

Thank You for reading my blog. There are an incredible number of choices and you chose to follow my blog as one of yours.

Five more have joined in following me. My warmest welcome to the following:

lloydsr
simplisticinsights
KylaRoss
Ricardo Sexton
Dr. Joseph Suglia

 

I appreciate your reading and I look forward to reading more from each of you. From reviewing your sites I can see I have a lot to learn, both from you as artists and from presentation of my own site.

Thank you for reading,

Ernest

Flash Friday – Defender

Defend the innocent; protect it from those who feed on it. To be best friend and confidant, to nurture imagination, this is my duty. When innocence is taken for naught and is lost unnaturally then the pact is to avenge.

Today, I became a part of the pact. I was chosen by a vessel of innocence. By my wards choice, I am always by his side.  By day we play games, act out adventures and explore our world. By night I stand vigilant watch.  Until the fateful night came to pass and the chosen victim is my child.

It’s out there, just beyond the ring of light. I can sense it in the deepest shadows of the room. As long it stays out there, vigilance is my only defense. According to the lore they feed on innocence. The very innocence I am here to protect. It has to make contact. As long as I can keep it from reaching the child before daylight innocence will survive.

There, making its move, showing itself. The Nightmare is a creature of the aether bringing bad dreams, sustaining itself off the fear generated. Charging me, I barely manage to deflect blows from those silver hooves. We sparred, each blocked blow a drain, my strikes making no mark.  My strength alone will not be enough. My hope and goal is to distract him until daylight.

Drawing on an arsenal of innocence and heroic imagination, bring forth our x-wing. My goal to distract him until daylight began zooming around the Nightmare, as horsefly does a horse. The blasters leave marks across the flank. The first effective offensive move I have landed. Whinnying in pain The Nightmare strikes back. Continue dodging and shooting until a lucky tail strike and the x-wing disintegrates. Safely ejecting, landing in a three-point Ironman style leaves me in a bad position.

Reaching deep into the child’s most heroic image, I draw on all of his innocence to defeat The Nightmare. A shimmering as my armor forms, a paladin with sword and shield. As I draw my sword of truth, the shield emblazoned with the trident on my arm, I face off with my foe. As I change so does the Nightmare. Now a Charger from a joust, mocking me, it paws at the floor.  Trying to scare me, play me out. Rising onto its rear legs, the charge begins. This deadly game of chicken can have only one ending. Sinking to one knee as it passes, my sword of truth slices through its body of lies. Slowly fading back into the aether, I return to my place by my child.

For I am Bear; Teddy Bear, protector of innocence.

Thank you for reading,

Ernest

DEATH

This is a topic all writers handle in different ways. Writers are known for is killing characters. Some writers even seem to make a career of it, yes, I’m looking at you Mr. Martin. Death has certainly occurred in several of my stories and I have been threatened upon pain of death if I killed particular characters. In one my first stories published, “Birds of a Feather”, a teacher friend and my editor were both very pleased with the obvious depth of relationship between the main character and his mule. As far as we know the mule survived.

Sometimes, dying might have been a better option. In a gothic horror/romance, this was my most Lovecraftian story, a young lady was meant to be a sacrifice. My editor pleaded and cajoled for me to allow her to live. Yes, she survived. But sometimes, dying might have been preferable to her new quality of life. And yes after the re-write, my editor agreed, the young lady would have been better off dead.

As a writer, part of making the characters come alive for the reader is in making them relatable. For that to happen most of us turn to our own experiences. There have been deaths in my life, any of us who life very long on this Earth will have the experience of a pet, a friend, loved one, or other family member passing from this mortal coil. One death which struck me particularly hard was loss of a pet.

When we met, my partner had two cats. Both have died during the nine years we have been together. One was an older orange tabby named Scutter; the other a tiger-striped named Cheshire. Scutter and I bonded strongly over six years until her stroke. Her quality of life dropped instantly and within forty-eight hours we decided to euthanize her. It was my privilege for her to curl in my lap as two drugs were administered. The first was a muscle relaxant meant to slow her heart and ease any pain, its effect was unmistakable. Within a minute she relaxed in a way that way only a cat is able too. Being a part of my life daily, I knew she was getting older and had begun to endure physical ailments, yet in the daily progression of aging I had not realized how much had her physical being had deteriorated. It dawned upon me how long it had been since I heard her purr; my heart broke when she did. In those seconds of relaxation, I appreciated just how much of a struggle daily life had become for her. For the briefest of moments, in full selfishness, I did not want the second drug administered. The wonderful and caring veterinarian administered the second drug, the one to stop her heart. I caressed her until death came. It was as if one moment she was there, the next she wasn’t. I recall saying she was gone and the veterinarian saying it usually took longer. She listened for a heartbeat. There was none. My friend was gone.

I called the office and reported out sick. I cried. For two days I cried a lot. My partner and I both did. When we give to something with a lifespan shorter than ours, and it gives back to you unconditionally, losing that bond can be a devastating blow. Three years later we have our moments of  what has become known as a “small orange sad”.

That is one of the well springs I draw upon when I wrote about the death of a character. Feeling numb, maybe a bit of shock at the loss, and how I related to people and I try to imbue my characters with some of it.

Sometimes Death is handled by being a character. Death has been a favorite of mine since Ingmar Berman’s “The Seventh Seal”. Terry Pritchett’s character of Death is one I always enjoy. Truly trying to understand the poor mortals he so meticulously watches over. Really, Piers Anthony’s personification of Death from “On a Pale Horse”, a part of the Incarnations of Immortality series, where Death is a job, is probably my favorite. After reading it, I wanted his job.

Death, the character, allows the writer to create a little distance in the narrative. Perhaps it allows us to see or show a different, maybe more objective, perspective on a situation. Death can be many things in this way: a friend, a hunter, a businessman, travel agent, or teacher as needed for story. Often personifying Death gives the freedom for a narrator to be present, to alleviate or create a fear factor.

In one of his essays, H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown”. What, pray tell, is more unknown than death? Religions, not touting any one over any other, all have an answer regarding death. Some people seek out a deity when it is believed death is imminent.

Whether a writer treats Death as part of a life cycle, a force of nature, a person, or an agent of fear one thing is certain. Death is now and will likely always be one of my favorite plot devices.

Thank you for reading,

Ernest

P.S. One of my goals is to write everyday. I did begin this on 3/16/2017 though currently there is an illness in the house which cause unavoidable delays. Flash Friday will be posted later in the day.

Good night

In Celebration of the Dawn

He approaches

Gently lighting his way

With a soft,

Rosy, hue,

So as not to disturb

His sleeping bride.

 

At his caress

She soflty whispers

His name.

 

Life

Slowly,

Opens her eyes.

They sparkle lightly

In the warming glow

Of his hand.

 

Tenderly,

Reaching out

They join

In loves embrace.

 

He

Warming her soul

Stirring life

Within her breasts.

 

She

Pulling him forward.

Defining,

Giving purpose

For his existence.

 

Together

Bringing hope,

Life and love

Once again

To seekers

 such as we.

Why do we tell stories?

In my anthropology classes I learned all cultures tell stories. Why were they everywhere? The earliest were probably teaching tools passing vital information which kept us alive. One example I recall a favorite professor gave during one of his lectures went something like this:

We do not know what kind of language early man had but think about one of our intrepid hunter-gatherer ancestors out in the forest, and Buddy comes along for the excursion. Buddy got hungry so he ate some pretty berries. Then Buddy got cramps, doubled up, made faces and noises, then Buddy died.

Our ancestor shares this information with other members of the tribe and shares the whole scene. That means he included all the noises and faces, that he could not do anything. By involving the effects, eliciting any emotions such as fear, our ancestor engaged his audience. Probably made a more lasting impact than, “Ugh, pretty berry bad.” Highly hypothetical and improbable but it’s a guess.

Our brains have a capacity to generate imagined experiences. It’s why when Tolkien describes a Hobbit Hole, you generate an image. And you can generate more than images, you can generate emotions. Between images, emotions and experience we imagine based on an authors words Horror stories can scare you, adventures can have you on the edge of your seat, or you can laugh at some described bit of humor.

Our minds find ways to relate, to put the story, conscious or not, in a context to which we can relate. The author relates one way, I know what I meant when I wrote a poem or a passage in a story. As the reader/listener you may relate in a completely different manner.

Why? Our life experiences are different. Each of us brings our unique perspectives to the same story. The mind translates into ways allowing each of us to draw a meaning which fits where/when we are in our lives at the time we read it. A personal example would be reading Cather in the Rye by Salinger in High School. When I read it again about 10 years later, I found a very different message. Bet you are recalling a similar experience now.

Not too long ago as life happens, someone told me a piece I wrote spoke to them. The piece was “Daily Options”, a poem about my struggles with Depression I shared in “When the Shadow Sees the Sun: Creative Surviving Depression” a memorial to an author I got to know briefly. Their insight was not what I thought the piece was about, but that is okay. You see, they found a meaning in it based in their life. I was told it helped them make a decision, decide on an option. If I never receive another compliment, that’s the highest you can receive. That it was not what I thought the piece meant is great, that means to me the words were alive and relatable for them

Never worry about what Art and literature is supposed to say. It will speak to all us, if we listen. What Starry Night or Stanger in a Strange Land or Watership Downs says to each of us is a message from the art to us as individuals. I put words on a page, other friends of mine are amazing artists and authors, yet regardless of what we create, it is you, the beholder, who gives us and our work meaning.

Together we are the singers, we are the song, listen to the music and dream as only you can. You are the one who gives it all meaning.

Thank you for reading,

Ernest

When the Shadow Sees the Sun: Creative Surviving Depression can be found on Amazon.com. https://www.amazon.com/When-Shadow-Sees-Sun-Depression/dp/1539868877/ref=sr_1_1?s=books&ie=UTF8&qid=1489549733&sr=1-1&keywords=When+the+shadow+sees+the+sun

Getting started…

So often it happens, sit down, the idea or topic to write about is there, then you face the blank page. In an instant the cascade of words ready to launch from the well springs of your deepest imagination, abruptly reflects the page in front of you.

That is my current predicament. I had an idea, and really, it was a good one. By the time I had the page loaded, all such thoughts had fled as roaches when you turn on the lights. I could have taken the time honored tradition of writers by procrastinating.

Procrastination may be a topic for another day, but it is not this day. No, while I have multiple reasons for starting this blog, procrastination is not one of them.

Ah, the alert reader noticed something there, good job. In the introduction for this blog, I spoke about things you might expect to see. These are some of my thoughts.

Some of my goals for this blog, in no particular order, are:

  • Share my work
  • Find some fans along the way
  • Develop a relationship with potential readers
  • Develop a habit in myself of writing daily

And yes, I have twenty minutes remaining because I did procrastinate tonight. This is what happens when a writer does and has a deadline. It is not good word, certainly not my best, but it work. It appears another goal may be in order. Scheduling to avoid procrastination? Sounds like a good one.

So tonight, I am at least meeting one of goals. I am writing today and if I do so in the next Twenty-three minutes will have it posted and meet that goal.

One more thing, that topic about procrastination by writers, I’ll get right on it.

Thank you for reading and coming along for the ride.

Goodnight,

Ernest

Prequel to Ned Land vs. The Kraken Cult

The publisher I most often write for, wants stories of approximately 10,000 words. I often go over 10,000 words. >grin< Sometimes, as in this case, there is enough to begin looking at it as another story. This one is becoming the origin of the Kraken Cult. Keep a look out for the Adventures of Ned Land.

Prologue

Excerpted from the annals of Professor M. Aronnax – April 16, 1868

“…For one instant, I thought the unhappy man, entangled with the poulp, would be torn from its powerful suction. Seven of the eight arms had been cut back. One only still wriggled its full length in the air, brandishing the victim like a feather. But just as Captain Nemo and his lieutenant threw themselves on it, the animal ejected a stream of black liquid. We were blinded with it. When the cloud dispersed, the cuttlefish had disappeared, and my countryman with it. Ten or twelve more poulps now invaded the platform and sides of the Nautilus.

We rolled pell mell into the midst of this nest of serpents that wriggled on the platform in the waves of blood and ink. It seemed as though these slimy tentacles sprang up like the hydras heads. Ned Land’s harpoon, at each strike was plunged deep into the staring eyes of the cuttlefish. But my bold companion was suddenly overturned by the tentacles of a monster he had been unable to avoid.

Ah! How my heart beat with emotion and horror! The formidable beak of a cuttlefish was open over Ned Land. The unhappy man would be cut in two. I rushed to his succor. But Captain Nemo was before me; his axe disappeared between the two enormous jaws, and, miraculously saved, the Canadian, rising, plunged his harpoon deep into the triple heart of the poulp. …”

 

Hunting…prey sighted… food… fought back…pain…damaged and torn…sharp…pain…cannot see…must let go…leave this prey…too strong…shooting ink…dropping and shooting away…

I go…arms bleeding…home…return home…hide…

 

With these primal instincts the great beast lay in wait, hiding, eating such fish as were funneled into its reach. With time, and care, the great beast’s strength returned. Its tentacles grew strong and flexible again. As it ventured out from the lair, hunting larger and larger prey, the beast grew more confident. Though the healing took time, it had time.

After a few years, reports began to circulate of the disappearance of the occasional small sailing vessel. Sometimes bits would drift ashore on nearby islands, with no clue about the crews or the cargoes. During the war, Confederate warships had taken their toll, but they had always taken prisoners and the ship when possible. Even then, they had only really been a threat to American shipping.  In the Caribbean with its rich history of piracy, rumors spread with the tides. Though piracy in the Caribbean had largely been wiped out by early 1800’s, the Jolly Roger was seen on every horizon. Convoys of smaller merchant ships sailed for protection in numbers, while other ships attempted intimidation through false gun ports. All the while, the great beast lay below the surface watching them glide past, as whales upon the surface.

 

Autumn can be said to be the beginning of death, summer dying. Yet even in decay, there is beauty.

Innsmouth was a city in the autumn of its existence. In its summer it had been a thriving town with great fishing, whaling, and merchant fleets. Now, even with abundant fishing just off the coast, only a few whalers and even fewer merchant ships still called on the port. Once a prosperous city, Innsmouth was slowly seeping into decay. Densely packed gambrel-roofed houses, typical of New England architecture, lined the streets. Innsmouth was the very definition of picturesque – until you noticed the boarded up attics and peeling paint.

Elijah strode down the hill, enjoying the autumn, how beautiful it was on a warm sunny day with its crisp air, just oozing the last bits of summer from the year. He was just leaving the Esoteric Order of Dagon, formerly the old Masonic Lodge, feeling the high he always got from the energy of the rituals. He noticed fewer people out and about since last making port here, but no matter.  His face radiated joy as he was now one step closer to taking his Second Oath of Dagon.  He knew that one day he would return to fulfill his third oath, never to leave Innsmouth again until it was time to go to his true home, to live forever in the presence of Dagon as promised.

Elijah’s family had been in Innsmouth for many years. His grandfather, Abe McAlister, had been a part of Captain Obed Marsh’s crew aboard the Sumatra Queen. He knew this town as well as anyone could. Walking down Main Street toward the harbor he could hear distant rumbling of the waterfalls on the Manuxet. The chimneys of the Marsh Refinery were pumping out the black smoke, working the ores brought in to be processed for trade. Fishing boats out by the reef cast nets into the bountiful waters, blessed by Dagon to feed the town. It was good to see the town getting back to the old ways after the war.  So many activities and rituals had to be suppressed while the government draft men were here during that war back in ‘63.  Because outsiders were to be kept in the dark according to the First Oath of Dagon –

 

“Iä! Dagon!

 

“Solemnly do I swear I will neither interfere with, nor inform upon, the activities of the Order, or reveal any of their writings and communications to non-members. I acknowledge that I have been given one year from the date of my admission to the Order to prove myself worthy of the trust given to me, or be cast out forever.

 

Iä! Dagon!”

 

Every neophyte and native resident of Innsmouth has taken this oath. To break it is to be shunned and cutoff from Dagon. And before the neophyte can take the Second Oath he will need to show his growth in the arcane practices.

But the Civil War ended back in ’65. Once those government draft men left, the town got back to business. In the last 5 years, more attics had been boarded up, indicating an increase in the number of people who had taken the Third Oath of Dagon.

Though a tongue of sand had begun filling in the harbor out near the ancient stone breakwater, there was still plenty of anchorage for the few ships bobbing in the harbor. To the north, Elijah could see the warehouses for the goods which once flowed through town now falling into disrepair. There, among the signs of a wormy decay, was his ship. On this voyage he would be going out as Third Mate and would also be a boat steerer. With a good voyage at his new rank, he could earn enough to settle down upon his return.

The Nimbre was a brig, two-masted with square-rigged sails on both the fore and main masts. As with the town she shipped from, she seemed from a distance whole, but upon closer inspection one could see the filth and worminess of decay creeping into its hull. From his vantage point walking down the hill, Elijah could see the bulge of the tryworks fire pit just behind the foremast. Men were hanging over the sides touching up the false gun ports, a holdover from the earlier days of whaling.  From a distance, at least, they might fool anyone seeking easy pickings.

Elijah was eagerly anticipating the voyage ahead to the Caribbean, the Southern breeding grounds for the Humpback whales, and he daydreamed of settling down on his return. Though whales were slowly becoming scarcer, there was still plenty of profit for the 29-man crew of the Nimbre. Once they had collected all they could in the Caribbean, they could either follow the whales back to the northern hunting grounds or go around to the Pacific. At least for the first few months, they would be near plenty of places to get fresh water and food – anything to make the hard biscuits and salt pork last for the leaner times at sea.

The Nimbre set sail with the tide. Elijah was glad for his new quarters. As a crewman, he had had to stay in the forecastle of the ship where quarters were small, hot as an oven, black and slimy with filth. He had hated bunking there and had cursed the greenhands who became sick and fouled their own bunks, adding to the miasma of the cramped quarters.

By comparison, his quarters as a mate were luxurious and spacious. Sharing a 6-foot by 4-foot space with the Fourth Mate was an incredible amount of space. There were fewer rats competing for space and fewer bugs infesting the bunks. Elijah had shipped out as a greenhand when he was 17. Up in the forecastle, sometimes you had to fight the rats to walk. Often a sailor would be awakened by the lice and fleas crawling over his face. Still, it was a good way to avoid being drafted as some others had been, like his childhood friend Zadok Allen. That war had meant nothing to him, for he knew that if desired, the sons of Dagon could overrun the human race.

During the voyage south, Elijah continued learning the use of sextant and navigation arts. When it was his turn on watch and he was at the helm, he would let himself dream of being Captain of his own ship. He could see himself directing sailors in the rigging, making sure the sailors up top were alert, and as befit the Captain, conducting discipline. Discipline on board the Nimbre was at the whim of Captain Borden and his word was law.

It took the Nimbre ten days to arrive in the Caribbean, and the true hunt was on. Everyone took turns up top searching for the whale sign. On some ships, a reward might be offered for first spotting a whale, but not on board the Nimbre. Captain Borden, like many whaling Captains, made as much money as he could from his crew as well as the ship’s voyage.

Once in the area of the breeding grounds, the assignments up top doubled. Everyone kept a sharp eye to the horizons. A week into the hunt came the cry, “Thar she blows”.

The cry was followed by the series of questions from the command deck common to all whalers.

“Where away?”

“Two points off the weather bow!”

“How far off?”

“Two miles and closing!”

“Keep an eye out for her!”

“Sing out when we head right!”

With a nimbleness belying her appearance, the Nimbre leapt through the waves in pursuit. Elijah and the other mates made a last check of their whale boats. The Nimbre carried four with two spares. After checking the tubs of coiled rope, harpoons, piggin, buoys, and other supplies needed when out chasing the whales, Elijah and the other mates prepared to release the chocks on the davits holding the boats to the ship.

When the Captain judged they were close enough, the command Elijah had been waiting for came, “Stand by and lower!” At once, the men assigned to him boarded the whale boat. Releases were pulled on the davits and with a splash, the four 30-foot boats dropped into the water, sails raised and oars shifted, and the chase was on!

The whale sign that had been spotted turned out to be two whales as the Nimbre drew closer. Elijah’s boat and that of the Fourth Mate Jacob, by prior agreement and rank, took the one furthest from the ship.

This was the thrill of the chase whalers lived for, the hunt pitting the frailty of their mortal lives against the immense power of nature. The chase stirred the blood, for every crewman was eager to fill the hold with the oily materials and make good their lay. This, sighting their first whales so early in the voyage, was taken as an omen of good luck.

The humpbacks were proceeding leisurely to windward. Unaware of the hunters seeking them, they kept a distance of about a quarter mile from each other, blowing now and again. The spouts of air and water arose from the giant creatures two and three times, before they went up fluke and sank beneath the surface.

Elijah’s and Jacob’s boats kept after it, the light whaleboats propelled by the sails. When they drew closer, oars pulled by the strong young bodies held the boats close, following the whales’ path. Elijah cajoled his crew to push and close the gap, then on an instinct he gave the cry to hove up!

Oars raised, the whale boat slowed and drifted on its previous path. With no warning the humpback rose hard on their port side, so close its wake threatened to capsize the quick little craft.

In the bow, the harpooner kept his head, launching his harpoons in succession, each one secured to the 900 feet of rope coiled in the tubs directly behind him. Both struck solidly in their target, the cold iron of the harpoons’ barbs giving the first notice to the poor, majestic creature that it was being hunted. The second harpoon, though, had hit the fish’s life; with a harpoon in its vitals, the whale began spurting a fountain of blood. The pain of the barbed iron in its gut caused a bellow seldom heard by man, as the creature furiously began to writhe and then took off, swimming madly to escape the predator and the pain lodged in its side.

Thus began the Nantucket sleigh ride, as the only thing the crew on the whale boat could do was hang on while the harpooner tried to lodge more lances into the beast. The boat spun as a leaf in a whirlwind, racing through the seas and tossing spray, suddenly lying still as the whale sounded, and then jerking into motion as the whale arose. For almost half an hour this ride continued. Jacob’s boat pulled up and got fast to the whale on one of its trips to the surface.  Both harpooners continued to hit the whale, until with several hits deep in its core, the creature went into its final flurry of death. Jacob’s boat came in to begin fastening a hawser round the flukes, when in a final spasm a flip of the mighty tail came down, smashing Jacob’s boat into kindling and killing all hands on board.

Only then did the whale turn onto its back, finally peaceful in death. There was no time to mourn the shipmates so suddenly lost. Quickly, with a breast-rope attached, Elijah jumped to the carcass with a fluke spade. A few deft strokes and he had cut holes through the tail to attach a hawser. All that was left was the long tow back to the Nimbre.

Elijah took their bearings from the compass in the supply chest. Using the spyglass, he scanned that portion of the horizon where the Nimbre should be located. Soon he spotted the Nimbre and with effort they began the slow arduous journey back to the whaler.

During the trek back to the Nimbre for processing, the seas became calm. Elijah began to feel a prickling of the hairs on his neck. Abruptly, Elijah grabbed one of the boat’s hatchets, kept on board in case the need arose to sever the line attached to the whale, if at any point the whale boat was in danger during the hunt.

Just before Elijah could swing, the sea erupted in a geyser of spray and tentacles.  The tentacles wrapped around the whale, pulling chunks of flesh from the corpse. One of the questing tentacles found the rope; and began stretching out across it toward the whale boat. With a strength born of fear and desperation, Elijah swung the hatchet and severed the rope.

 

Scent…Fresh blood…Prey …Scavenged…strength…To feed…Sate hunger…Something more…What…

 

The great beast ravaged the whale’s corpse. The churning of the water tossed the whaleboat like a cork. Frantically, the six men on board tried to row away from the frenzied feast.

From below the surface a tentacle stretched toward the boat like a streaking torpedo, its target the fleeing whaleboat.

 

Scrap…floating away…Grab…Feed…

 

The rending of the whale boat as it sundered in half with a splintering crack spilled the six men into the bloody waters. As he fell Elijah called out for Dagon, and then was swallowed by the dark waters. Engulfed in the warm water he felt no panic, but a comfort and peace. He was able to see the great creature of the sea, agent of his death, by the will of Dagon. A brother of the sea under Dagon, Elijah felt compassion looking upon its mutilated eye.  Elijah saw a seeming flick of a tentacle, as if the creature pointed, and turned in the direction indicated. In his dying moments, Elijah saw his five men drowning. As a trick of the mind, he saw another group swimming toward them. As was true of many whalers, Elijah had never learned to swim. In his last seconds of life, he saw a beautiful young man reaching for him.

Bewildered, Elijah awoke upon a beach as the sun beat down. Sitting up caused his head to spin. Slowly he lay back down upon the sand, trying to remember how he got here and what happened to the men with him. Waves began to lap at him as the tide came in. Knowing that if he lay on the beach too long he faced threat of debilitating sunburn, he tried to sit up again. He peered across the sands.  He could make out several roughly man-size shapes. He forced himself up and staggered toward them. Shortly, all were roused and off the beach.  They discussed their situation in the shade of the jungle. Amazingly, no men had been lost. Elijah instructed the men to first see if anything from the whale boat might have made it to shore. Second, they would try to signal the Nimbre, which should still be nearby.

Scanning the beach, they found all the supplies from the whale boat in close proximity. The men marveled at it, for everything was there within feet of each other. The spare harpoons, the hatchet, lances, the lantern keg filled with tinder, lantern candles, bread, tobacco and pipes, and the steerers’ box containing the compass and spyglass, all dry and in good condition.

Elijah took the spyglass and the compass to a high cliff on the north side island, attempting to spot the Nimbre. There it was! Not as far away as feared.  The men worked together to gather brush for a signal fire. Then they waited. After a time, the ship could be seen to have turned toward them.  Soon they could see the sails without aid of the telescope. Rejoicing, the men returned to the beach to await rescue.

A couple of hours later, the stench of a whaler reached the shore. The men relaxed. It was a common enough occurrence to smell a whaler before sighting it. At last, the Nimbre dropped anchor in the bay on the north side of the island. From the beach, Elijah could see men in monkey belts working to cut the blubber off in strips. The other whale had been captured, so not all was lost.  A boat dropped into the water and started toward the beach.  The men waded into the water to assist in beaching the small craft. Remi, the First Mate, was leading the landing party.

“Elijah! Good to see you! We saw that giant squid attack and feared we had lost you all!” Remi joyously clasped Elijah to him. “Lookouts spotted the smoke from your fire. We hoped but had no idea it would be you. We are to gather some fruits, fresh water, and maybe game as a feast for the Captain and his mates.”

For the next few hours, they gathered baskets of fruit and skins of fresh water. When they had gathered enough for a boatload, they launched for the trip back to the Nimbre. The prickling on the back of Elijah’s neck began again.

“Stern all, Remi, for all our sake. Stern all NOW!” Elijah warned, but Remi ignored him.

“Just now realizing Captain Borden is angry?  Yes, he’s not happy losing two whale boats, and he’s going to take it out on someone.” Remi grinned, glad the someone was not him.

The waters around the Nimbre began to bubble as the hydra-like spray of tentacles embraced the vessel as an old friend. Involved as they were in processing the whale, the crew was unprepared for this attack. The Nimbre was quickly flipped to its side and pulled under the waters. A few of the tentacles started to query in their direction.

“STERN ALL!” cried Remi from his position on the whale boat, and quickly the rowers pulled the opposite direction, sending them swiftly back toward the island. By time the whale boat was beached there was no sign of the Nimbre. Not a timber, not a man. With the return of the calm sea, it was as though no ship had ever existed.

They were now stranded, and many of the twelve men became fearful. Remi began to give thanks unto God for their rescue and for being safe in a place with food and water. Several of the men joined him.

Elijah began to curse them. “You are nothing but dull-eyed sheep!  Nothing in your Christian heaven saved you this day! I know of people who pray to gods that give what they really need. Stand with me and we can reach out to certain powers.”  His voice softened and became persuasive.  “Soon we will not want for anything. When we go home, it will be with gold and jewels to line our pockets.”

Several of the men wanted to know about this faith that could provide such riches, and at last only Remi stood firm in his resolve. With all but Remi agreeing, Elijah did his best to contact what he believed to be deep ones, and a pact was made.

Show… Don’t..ever…EVER…EVERRRRR just tell. Show.

This title was a Facebook post from my publisher earlier today. The main point never JUST tell.

Showing happens in the narrative. It is in the descriptions, dialogue and action.

Show, do not just tell good advice, something of an adjunct to Laurel K Hamilton’s, and others, but this particular quote is attributed to her, “One of my rules is never explain. A writer is a lot like a magician, if you explain how the trick works a lot of the magic turns mundane.”

Knowledge imparted through the narrative allows the reader to build the writers world in their own mind, this is a writers true magic. When we tell the reader and/or explain too much, we deconstruct the world they have built from our words. We do not explain or tell the reader everything, how the raygun works for example, it is sufficient to say our character shot his raygun at a target. We do not have to explain the physics of the weapon or the color of the ray. The reader provides it.

When we begin explaining the weapon and the color of the beam etc, we may well be taking away from the reader’s enjoyment of the action. That said, there are times and stories, where there is a need to occasionally tell to advance the story. A short story may not have the words to allow information to be completely narrative, so we must tell a little to aid the reader in creating a world from our words.  Advance the story without causing undue confusion. And one thing is certain to me, anytime, as a writer, when just telling is needed, it should be done to advance the narrative not replace it.